Skip to main content

ON ART

Portrayer of social phenomenon, separator of class
Distinguisher of orientations, extinguisher of opposite mindsets
Setter of collective thought, respecter of individual rebellion
You define what society sees not, yet you see what society cannot define

Meanderings of power are concentrated in your collections
Collectors delineate what you will be worth and mean
In passages of power you institutionalise ideology and culture
In ideological passages you define power relations
Your survival is but a question of affordability and promotion

Generations die and yet you revive them into the present
You are capital to the rich, and the capital of the poor
Social cohesion capitalises you, economic coercion recapitalises your character
Wall silence gets broken once you are hung, yet you hang wall makers
Aesthetics cope with your impositions whilst you impose cultural hope

Fortune is painted through your many dots and curves
Every time you appear you dispense harmonious melody
Born by imaginations but your death is both appreciation and rejection
As you end life with your creator you get born in the hearts of the appreciative
In the realm of appreciation you are eternal and definitively timeless

The powerful succumb to your force of exposure,
The weak find solace in both your beauty and message
Portraiture is to you an ideological conduit to unknown freedoms
Social co-existence can be distorted or balanced through you
As an artefact you uncompromisingly tell stories of all eras you were created

From Mapunguwe to Cradle of mankind
From Italian renaissance to Timbuktu Chronicles
From Picasso to Sekoto; From Yeats to Gibran
From Italy’s Michelangelo to Zimbabwe’s Ajasi Alam
From Shakespeare to Eskia Mphahlele through to Ngugi

You therefore speak appreciation to power yet power can restrict you
Politics is the picture you paint and hang on walled polities
Economic systems notarize your value and you devalue corresponding collaterals
Without you history is incomplete and with history you remain incomplete
You are a mystery; you are art whence you build cultures from which societies are built

Comments

Popular posts from this blog

The DD Mabuza I know, dies a lesson to leadership succession mavericks.

When we completed our Secondary Teachers Diploma, together with two cohorts that followed us, at the Transvaal College of Education, and we later realised many other colleges, in 1986, we vowed to become force multipliers of the liberation struggle through the power of the chalk and chalkboard.   We left the college with a battle song ‘sesi bona nge sigci somoya, sesi bona nga madol’nkomo, Siyaya siyaya’. We left the college with a battle song' sesi bona nge sigci somoya, sesi bona nga madol'nkomo, Siyaya siyaya'. This song, a call to war with anyone, system, or force that sought to stop us from becoming a critical exponent and multiplier to the struggle for liberation, was a powerful symbol of our commitment. We understood the influence we were going to have on society. I was fortunate to find a teaching post in Mamelodi. Mamelodi was the bedrock of the ANC underground. At one point, it had a significantly larger number of MK operatives than several other townships. Sa...

Farewell, Comrade Bra Squire, a larger-than-life figure in our memories: LITERALLY OR OTHERWISE

It’s not the reality of Cde Squire's passing that makes us feel this way. It is the lens we are going to use to get to grips with life without him that we should contend with. A literally larger-than-life individual who had one of the most stable and rarest internal loci of control has left us. The thief that death is has struck again.  Reading the notice with his picture on it made me feel like I could ask him, "O ya kae grootman, re sa go nyaka hierso." In that moment, I also heard him say, "My Bla, mfanakithi, comrade lucky, ere ko khutsa, mmele ga o sa kgona." The dialogue with him without him, and the solace of the private conversations we had, made me agree with his unfair expectation for me to say, vaya ncah my grootman.    The news of his passing brought to bear the truism that death shows us what is buried in us, the living. In his absence, his life will be known by those who never had the privilege of simply hearing him say 'heita bla' as...

Celebrating a life..thank you Lord for the past six decades.

Standing on the threshold of my seventh decade, I am grateful for the divine guidance that has shaped my life. I am humbled by the Lord’s work through me, and I cherish the opportunity He has given me to make even the smallest impact on this world.  Celebrating His glory through my life and the lives He has allowed me to touch is the greatest lesson I have learnt. I cherish the opportunity He has given me to influence people while He led me to the following institutions and places: The Tsako-Thabo friends and classmates, the TCE friends and comrades, the MATU-SADTU friends and comrades, the Mamelodi ANCYL comrades, the ANC Mamelodi Branch Comrades, the Japhta Mahlangu colleagues and students, the Vista University students and colleagues, the Gauteng Dept of Local Government colleagues, the SAFPUM colleagues, the  SAAPAM community, the University of Pretoria colleagues, the Harvard Business School’s SEP 2000 cohort network, the Fribourg University IGR classmates, the Georg...